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Jan Reimer 人物介绍
"Jan Reimer is without doubt a master of abduction诱拐 into the realm境界 of senses感官. His sound magic on the guitar lets the listener discover his long lost imagination." (Berlin Tagesspiegel)
“Jan Reimer 毫无疑问是个诱惑人们感官的大师。他的吉他发出魔力般的声音，让听众迷失在想象当中。”---（柏林 每日镜报）
In his solo concerts, Jan Reimer didn't simply reproduce that which is forever pressed on record. With the ovation guitar and his "Experimental Guitar Percussion" as well as manifold special effects, he also created a variety of sounds and strains. Suddenly a pleasing melody grates against an oblique chord, the sound turns all of a sudden classical, then again to folk from far away always, however, there is this melody which is simply beautiful.
在他的个人演奏会上，Jan Reimer 不是简单的重复已经刻在唱片上的声音，在Ovation吉他和他的Experimental Guitar Percussion以及多种特效的组合下，它还创造了很多音乐和旋律小段。比如说突然间的一个滑弦，强烈的衬托出优美的旋律，然后声音慢慢趋向于古典风格。接着又转为从很远很远的地方传来的乡村音乐。不管怎么说，就是这种简单美妙的旋律。
Jan Reimer produced his first solo album "Escape from a Fairy Tale" in 1984. The famous German singer-songwriter Franz Joseph Degenhardt wrote about this album: "One could say that this album gives you an idea about how far the acoustic guitar has come today. This album is a demonstration of what can be reached with an ovation guitar. Everyone who plays the guitar, beginner or master, will be able to profit from it. Nothing more or better can be expected in the production of an album". - The second album was called "The Point of no Return". Whereas on its predecessor Reimer had strictly limited himself to the Ovation Guitar, this production is opening up a new world of sound introducing "Experimantal Guitar Percussion" (EGP). Basically EGP is a Contreras Guitar with inbuild microphones that is used as if it were a percussion instrument.
Jan Reimer 1984年录制了他的第一张专辑“Escape from a Faory Tale”德国著名歌手，作曲家Franz Joseph Degenhardt描述了这张专辑“可以说这张专辑告诉了你原生吉他发展到现在的成就，这张专辑把Ovation吉他的声音完美的示范出来，每个弹吉他的人，不管是初学者还是大师，都可以从中受益。这张专辑已经很完美了”。第二张专辑名字叫“the point of no return”虽然在第一张专辑里Reimer严格限制了自己在Ovation吉他上的发挥，但是这张专辑引进了全新的"Experimantal Guitar Percussion" (EGP)，从而开创了一个新的音效世界。简单来说EGP就是内置麦克风的可以被当作打击乐器使用的Contreras吉他。
In 1987, Jan Reimer released "Painting Future". For the first time he uses other elements besides the guitar. Danny Thompson, England's chief bass player, picked the double bass on some titles. Apart from guitar, Jan Reimer played the percussion instruments and the xylohone. - The following release "Talking Pictures" became more complex and presented the music more like kaleidoscope of folk, jazz, South American rhythms and idiosyncratic arrangements - an acoustical roller-coaster ride through/飞驰过 the many facets/多方面 of the entire auditory landscape/整个听觉景观 which may be created on nylon or steel guitar strings.
1987年，JanReimer 发售了"Painting Future"这张专辑，在这张专辑里他第一次用到了除了吉他以外的乐器。Danny Thompson， 英格兰首席Bass，在这张专辑中的一些曲子里为他伴奏第二Bass，除了吉他，Jan Reimer还演奏了打击乐和木琴。-接着发行的"Talking Pictures"更为复杂，专辑中呈现出五彩缤纷的乡村，爵士，拉丁美洲风格，专辑里还有更为奇特的安排---从尼龙或者金属吉他弦上发出的过山车般的声音，从各个方向冲击你的听觉。
"The Groove Project" was a band project and featured the electric guitar a lot. Elements of Dance and Rock music were linked with music of latin american and african style. The result is a bridge between highly energetic elements, melodic compositions and different muscial cultures. Special guests on this album: Lydie Auvray plays the accordion, Simone Reifegerste (Be mine or run) vocals, Nick Douglas (Doro-Band) on bass, Neil Conti (David Bowie-Band, Jagger/Bowie, Annie Lennox-Band) on drums and Norbert Stein on the saxophone.
"The Groove Project"是一个组合项目，专长是电吉他。舞曲和摇滚乐中的元素跟拉丁美洲和非洲的风格连接。在充满活力的音乐元素、旋律，和不同的音乐文化之间搭起桥梁。专辑内的嘉宾：Lydie Auvray--手风琴, Simone Reifegerste （歌曲《Be mine or run》）--声乐演唱, Nick Douglas (Doro-组合)--贝司, Neil Conti (David Bowie-组合, Jagger/Bowie, Annie Lennox-组合) --鼓, Norbert Stein--萨克斯
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发表于 2008-1-16 22:07
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发表于 2008-1-17 12:35
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