one of the most common ways to describe a wood's tonal properties is in terms of its frequency range,which is often broken down into low-end frequencies,mid-range and high-end frequencies.picture it as a visual spectrum,as we've done in the chart to the right,with the lower frequencies on the left and the higher frequen-cies on the right.the graph line for each wood visually depicts its general tonal range.rosewood and ovang kol,for example,tend to resonate with more low-end frequencies,whereas koa,cocobolo and maple tend to sound brighter from having more top-end frequencies.note also rosewood's"scooped"midrange and ovang-kol's fuller midrange.the doted lines for walnut and koa denote the expansion of low-end frequency range as the guitar opens up after a period of playing it.
the chart is only meant to provide a general refer-ence for wood tones relative to each other.keep in mind that this is not based on any scientific measurement of frequencies and is based on our collective-and subjec-tive-experiences with these woods.acoustic tone will always occupy some gray area,based on the unique-ness of each set of wood and other variables ,several of which are noted below.
最常见的方式描述了木材的声音特性是在其频率范围内，这往往是细分为低端频率，中端和高端frequencies.picture它作为一个视觉频谱，因为我们'维生素E这样做的图表，以权，以较低的频率在左边和更高的频率，种上right.the图线的每一个木材视觉描绘的一般音调range.rosewood和ovang科尔举例来说，往往会产生共鸣更多的低端频率，而兴亚， cocobolo和枫树往往从健全光明有更多的高端frequencies.note也花梨木的“收购”的中端和ovang -科尔的充分midrange.the doted线的核桃和兴亚指扩大低端频率范围内的吉他开辟了一段时间后，打它。
图表这是为了提供一个一般性参考木材色调相对每个other.keep记住，这不是基于任何科学测量的频率，是根据我们的集体和主体性，经验，这些树林。声学基调将始终占据一些灰色地带的基础上，独特性的每一套木材和其他变数，其中一些如下。 |
发表于 2008-11-12 09:51
